How could the budget restrictions of a performance to develop the costume designer’s imagination?
Subject of study:
The main focus of this project is the
creative side of the costume design profession, and how it could be developed
and restricted in the terms of the production’s budget. The research will
explore live musical and dance performances and discuss various different ways
to achieve a similar effect using a restricted budget The practical work will
include a recreation of costumes for a classic musical production with a very
limited budget.
Research aim(s):
To analyze the psychological influence
of stage costume on the audience’s perception.
To research the ways for different
stage costumes
to communicate with the observers.
To show different strategies to improve the effect of costumes.
To present the current organizational problems of a
production,
which may appear in terms of the size and allocation of budget.
The overall aim
is to determine whether the low budget is serving as a limitation or a
stimulation of costume designer’s creativity
Research objectives(s):
To complete 3 case
studies of dance productions in Nottingham, including questionnaires in order
to collect, explore, discover and test a broad variety of costume techniques,
materials and ways to apply to my practical work .
To discuss and test
“Do it Yourself” techniques shown on internet sources such as websites, blogs
and youtube.
To look at the
relationship between costume techniques used and the budget given and to
conduct interviews with 2 designers.
I shall utilize the
skills from my backstage experience as an assistant in “Embody” and my work
experience as a dance performer in “Brain Bug” in order to build reflective
analysis and conclusions.
I shall also try to
become involved with the costume design in Brain Bug or another production
during the project.
To recreate 2
costumes from a classical musical production with minimum amount of budget and test their impact by 1 questionnaire and interview with the same designers.
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