The
Storyboard drawing was one of my favourite parts. Due to my previous experience
in terms of shot marking and script analyzes I managed to create one good
standart (except the drawing level)12 shots storyboard on a 3A format sketch
book which needed couple of small corrections . The storyboard is illustrating
the conversation between Lucy and Jim in Jim’s flat which I classified as the
fifth scene of the screenplay after Lucy’s dream, Lucy’s waking up, the
exterior scene with the key and the Communication booth scene. I chose that
scene in particular because of its importance of the whole story. Before that
fifth action the contradictions of the main character had been only cursorily
hinted behind the signs of the lively dream, the tear and the silver key. By
way of contrast, on the
storyboarded scene the female character for first time shows her inner conflict
by involving the other main character – Jim in it. Thus, here we have 2
opposite sides of life. Jim who lives in peace with the similar recurring forms
of reality, using every time the few possible clips which are the options and
on the other hand, there is the burning rebel heart of Lucy who wants to leave
beyond the framed same old reality. In fact, this part of the story delineates
a whimsical portrait of the characters and an everlasting context of each
epoch. However, in this scene in this there could also be noticed a collision
of three very strong feelings – passion, anxiety and apathy outlining a
absorbing collaboration which could be shown in the movement of the characters
and their look in front of the camera.
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